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Fashion photographer Lindsay Adler has risen to the top of her industry as both a photographer and edu-cator. Based in New York City, her fashion editorials have appeared in numerous fashion and photography publications including Marie Claire, InStyle, Noise Magazine, Zink Magazine, Elle, Rangefinder, Profes-sional Photographer and dozens more. A clean, bold, and graphic style has become the hallmark of her work. And she is renowned for her creativity and collaborating with designers and stylists in order to create fresh looks.
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Chris Knight was born in Wiesbaden, Germany and hardened by the sweaty, nearly chewable, humidity of Florida.
He combines his unconditional love of art history with his condi-tional love of technology, topping it off with a flare for the cinematic and an uncompromising eye for detail. His work has appeared in or on Vogue, People, MSNBC, ABC, Ocean Drive, GQ and others. Chris is an instructor at Pratt Institute as well as the New York Film Academy. |
Masterclass Fashion Photography & Retouching
Day 1: BEAUTY (by Lindsay)
09:00-10:30 Building your first fashion shoots (lecture) 10:30-12:00 Essentials beauty photo posing, lighting (demo) 12:00-01:00 Lunch 01:00-02:00 Set 1 (shoot) 02:00-02:15 Break 02:15-03:15 Set 2 (shoot) 03:15-03:30 Break 03:30-04:30 Set 3 (shoot) 04:30-05:00 Q&A or if we ran overtime on shoots Day 2: FASHION (by Lindsay) 09:00-10:15 Gaining style, inspiration (lecture) 10:15-10:30 Break 10:30-12:00 Fashion Posing, posing for the full length (demo) 12:00-12:45 Lunch 12:45-02:00 Set 1 02:00-02:15 Break 02:15-03:45 Set 2 03:45-04:00 Break 04:00-05:00 Fashion Business Day 3: RETOUCING (by Chris) 09:00-12:30 WORKFLOW - Developing the raw file Getting good exposure, Maximizing detail, Developing for print, Local adjustments to direct the eye, Removing tonal and color distractions from the raw, Using a color checker to get correct colors, Creative application of color - Basic skin clean up - Advanced skin Local Dodge and Burn, Frequency Separation - Shaping the image – Global dodge and burn Directing the eye through tone (feathering selections and masks quickly) 09:00-12:30 ADVANCED WORKFLOW - Liquify – using it realistically - Bringing out the eyes - Pumping up the hair (adding shine and volume) - Adding / fixing makeup - Color grading / controlling color Advanced masking (luminosity, channel masks and blend if) - Blend modes - Exporting for the web |